Today I was determined to get a new entry written and then work on subplots for STARVED. Here it is, though, past 10:30, and I'm just settling down to work. I had to contact a representative from an educational publishing company to get copyright info on a math problem that I found on the web for HUNGRY. I got a letter from him last year, but there was some technicality to look into. So . . . behind schedule!Much of my energy this week has been spent packing for our trip to Chile (leaving soon!) and working with a district committee to hammer out our English Learner program (dealing with boring stuff like forms, so all the schools in the district are on the same page).
Back to plotting: as a writer, plot is the hardest thing for me to deal with. I do outline after outline, but what seems to be logical often doesn't work when I'm actually trying to write. My good friend and mentor Bruce McAllister (a great writing coach: http://www.mcallistercoaching.com/) suggested I get the book Myth and the Movies, by Stuart Voytilla and study how the hero's journey, the archetypal "template" that all good stories follow, is applied to various film genres: science fiction, thriller, romance, romantic comedy, history, etc. The process works just as well for all stories: movies, novels, short stories.
I find that I don't enjoy a lot of movies anymore because I know what's going to happen: toward the end of the movie, the protagonist gets his or her reward which signals that the biggest hurdle is on its way. I was a little reluctant to use the process when I first read the book. Now, though, looking at it again after a year, I see what a powerful tool it is.
I've drafted the main plot of STARVED (at least I've done a first run of it) on a circle chart using the elements as described in Myth and the Movies: starting in the ordinary world, encountering a mentor, refusing the call to adventure, accepting it, crossing the threshold to a special world, facing tasks, symbolically dying through an ordeal, coming back into the ordinary world with a reward, being resurrected on the road back to the ordinary world, and returning with an elixer. There is also a character arc that correlates with plot points. Having this structure really did make the story I want to write easier to conceive.
I want to do the same process with the two subplots for STARVED later today. All three circles (or more if I have time to do character archs) will go with me to Chile. I work best when I give myself deadlines, so I've promised myself that I'll have a strong beginning for the book before I return.
Since I write about the hero journey today, the peace dove is for the young men and women in Iraq. I hate this war and don't believe in it, but my heart goes out to those who are in the middle of it. I just heard that one of my former students is headed for the army. I know that there are many kids I used to teach over there. I wish them safety, a swift return home, and peace for everyone in that tattered country.
